Showing posts with label jams. Show all posts
Showing posts with label jams. Show all posts

Saturday, May 24, 2025

More Student Highlights

 



Comics is a medium that welcomes every style and level. It benefits from casualness, whimsy, and economy. The point is to convey your imaginings. 
In the continuing ed classes at SVA, we cover a lot of information on style, theory, and technique, but always while having a good time. 


Doug Keljikian crystallizes the essence of cartooning.




Here’s a teaser for Jeffrey Johnson’s first minicomic under his pseudonym.
I wouldn’t be surprised to find this in a local shop.





Paul Centrone is working on a story about a young man’s experience in Berlin when the wall came down.


We often pass constraint-based jam pages around. Over the years, some get finished.







Doug K. was in my basics course last semester and also assists my afterschool classes at P.S. 154.
Sometimes when the kids are busy, we pass drawings back and forth.


Summer classes are enrolling now. The figure course is offered online on Tuesdays and live on Wednesdays. Cartooning Basics is offered on Thursdays.

Let’s play.

Friday, January 20, 2023

Do Not Break the Chain!



In the Comics Inventions course, I’m thinking of reforging this Chain Cartoon from the 1990s.


Back when I was directing the group-strip, Hector, I received a chain letter in the mail. In the course of urging me to send 10 copies to friends, the letter said the most amazing thing: “This letter will bring you luck. This works even if you aren’t superstitious.” That got me. in the spirit that anything could be made into a comic/comics can be made from anything, I took up the gauntlet. Here are highlights: 





The comics medium is itself an unbroken chain of innovations, ideas, and unique voices. Let’s pay it forward. Comics Inventions starts January 31. Join us and/or add your panel to the comments section below (proportional to 3" wide by 2.5" high). 
Do not break the chain.



UPDATE:  I received this wonderful new panel by Jim Siergey.



And here's another by Daan Heemskerk



And another by Rich Arnold.


And here's one by Gary Martin:






Now it's your turn!


Contributors: Babushka, Nick Bertozzi, Kevin Diaz Bryan, Tony Consiglio, Clark Dissmeyer, Patricia Dubrava, Matt Feazell, D.S. Fields, Richard Florence, Brad Foster, Craig Gassen, Scott Johnson, Tim Kelly, Jim Lemons, Monobrain, T. Motley, Michael O’Keefe, John Peters, John Pham, Dennis Pimple, Jason Powers, Mark Putt, Alex Robinson, Joe Shuster (apologies), Jim Siergey, Andre Slob, Brendan Smith, Melissa Stander, Brad Thomason, Maximum Traffic, J.B. Winter, Stan Yan, Pieter Zandvliet.

Monday, September 5, 2022

A game of 5-card Nancy from Y2K Denver



At the start of the millennium, I hosted comic jam sessions at my friend’s comic book store. Among the activities we offered was the game 5-card Nancy, the rules of which can still be found at scottmccloud.com.

The guiding idea is explained by montage theory: if you juxtapose 2 movie shots or comic panels, the reader/viewer naturally presumes a narrative to connect them. This involves the audience in the creation of the story. Putting comic panels on index cards is a great way to play around with narrative possibilities.



For whatever reason, back then it was difficult getting ahold of suitable Ernie Bushmiller Nancy strips to work from. We ended up making a deck from Ivan Brunetti’s Nancy tryout strips that were published in an issue of the zine Rocktober (breaking one of McCloud's cardinal rules).



An important innovation we discovered as we played McCloud’s game is that once a strip concludes, the players should confer to agree on a title. It pulls the whole together.

I sent Mr.Brunetti a copy of the printed comic that included our use (abuse?) of his work. He was characteristically gracious. I recall him responding that his favorite was “the castrator’s apprentice.”


The ways comic panels change meaning in different contexts is something we’ll explore from multiple angles in my upcoming online course, Comics Inventions, enrolling now.




Friday, November 22, 2019

The Road to Golgonooza, part 1



Reading a lot of jam comics, one can discern characteristic tropes, rhythms, and vicissitudes. I think that makes the comic jam a unique genre any cartoonist might choose to work within. 

Here's the first third or so of my new comic running in The Brooklyn Rail. It plays with the comic jam and its sister genre, the biographic profile. I try to change styles two or three times per page, mashing up various artists who interest me. I don't feel I do justice to any of my influences, but it's fun to try. I hope you'll find this amusing or at least not too annoying. 




Contributors:

Page one: M.C. BloV8, logo and anagrams, recently had a career retrospective at NYC's Fugitive Gallery. He can be reached care of Singsing.

Chris M. Otterson, panel 1, is at work on a series of Tijuana Bibles inspired by the classic Man from Nantucket books. Check his instagram for a preview: @cmot15

Gonzo Loretta O'Hagood, panels 2-4, received this year's Pini Award for her webcomic, Ginger Duck and her Barnyard Friends. yourdailydoodle.tumblr.com

Page two: Cassie Motswald, panels 1 & 2, hosts the monthly Captain Crayon's Crap-Art Contest at T. Martooni's. Her Instagram: @cmot15

Jacqueline Pharmakos, panel 3, is best known for her psychedelic set designs off off Broadway in Helter Skelter, the Musical, but she also makes comics. cartooniologist.blogspot.com

M. Isaac Cartozia, panel 4, chronicles the adventures of Conan Doyle, Barbarian Detective at cartozia.com

Page three: Cyndi Rizzo, former show runner for Vivian Girls Anime, is hard at work designing rides for the spinoff park, Darger World.

Illustrator Stevens Valmor blogs at yourdailysketch.tumblr.com

Cookie Motowan's weekly strip, Hump Day Dump Tay, is seen every Wednesday by subscribers to The Artlink Letter. Instagram: @cmot15

Page four: Medea Starkers is a package designer for Condign Desserts, LLC. yourdailydoodle.tumblr.com

The team of Motte & Bailey serialize the adventures of the Putti Patrol in The Christian Youth's Fundament. Instagram: @cmot15

T. Motley is the author of The Road to Golgonooza, a fake jam comic.

Sunday, January 7, 2018

More Comic Jams




In my continuing ed Cartooning Basics and undergraduate Short Form Comics courses at SVA, we make time to pass around rule-based comic jam pages. 


I have each student start a jam and note its rule. The pages pile up, circulate, and slowly get done, often over the course of several years.


An idea I've tried recently is to invite students to invent a rule that hasn't been tried before, like this omnilingual jam below:


Comic jams are a great way to interact with other artists, try out styles and ideas, & test your wits. This is just one example of the cartooning challenges that come up in my courses. Come learn more at the information session this Thursday, 1/11/18.

Wednesday, May 10, 2017

Cartooning Basics Comic Jams

This jam began in last semester's undergraduate Short Form Comics class and was completed in Cartooning Basics this spring.

Jam comics have long been a way for cartoonists to have fun together and ameliorate the solitude that accompanies this kind of work. Working with my Hector gang in the 1990s, I helped develop rule-governed jams to make the games more interesting. By the early 2000s, Matt Madden and I worked out a master list of 13 simple jam rules to share with our classes. These can be found on page 13 of his Drawing Words and Writing Pictures. Matt has more to say about it on his DW-WP blog.


I keep a pile of unfinished jams in my locker @ SVA. On the last day of the Cartooning Basics course, a publishing session followed by fun and games, one of the activities we often get into is circulating the jams, nudging them forward, and launching new ones. 



One reads the list of rules, takes a six-panel page, writes a chosen rule in the margin (or invents a new, self-explanatory rule and writes that), and creates the first panel.




Students find themselves interacting with other cartoonists, often across a span of years.

These kind of activities stimulate the imagination and test one's skills. As they say in the Oulipo, constraints are liberating!

Summer classes are enrolling now. Inking Comics runs Tuesdays, beginning June 6. Figure Drawing for Cartoonists runs Wednesdays, beginning June 7. Cartooning Basics runs Thursdays, beginning June 8. Come to the Information Session on Thursday May 18 to learn more: 6:30-8:30 pm, 209 East 23D St., Room 311, 3D floor.


Come play!

Friday, April 28, 2017

Praise for Cartozia Tales

Here's a recent, substantial review of Cartozia Tales from Rob Clough's blog, High-Low.

Rob praises the series for its "ambition, playfulness, formal daring and fun"  and goes on to say, "that level of sincerity, effort and creativity is a remarkable tonic to the level of cynical, money-making tropes that I see in so much YA fiction."

He names me the creative team's secret weapon, for my "relentless commitment to formal experimentation" and "proclivity for whimsy and wordplay" (though he still doesn't like my scratchy ink work).

It's been a great run, but we're winding it down now.


We're working away at our climactic final issue (honest!), but we need more subscribers to get over the finish line. Please join us and tell your friends, too. They make great gifts for literate kids, y'know.


Tuesday, November 15, 2016

Drawlloween Highlights

Trick 'R' Treat!

Like you, I'm hesitantly acclimating to the horrors of the new normal (without pretending there's anything normal about it).  I find myself wistfully looking back on a simpler time-- last month-- when I allowed myself the fun of indulging in some fake horror: the annual Drawlloween & Inktober challenges.

Hurrying to post an ink drawing on an assigned theme every day proved a refresher course in the many ways an image can go south from concept to finish, and in the ways things go wrong at the last minute-- train delays, unresponsive computers, and other interruptions. A few of the pictures posted past midnight into the next day. But it was great for warming up, trying techniques, and developing spontaneity. I surprised myself more than once.

The drawings? There were weird ones,...
Thursday the Thirteenth

They Came from Outer Space! (Inktober: "Box")



Mechanical Monstrosity
wild ones,...
Full Moon!

Superstition Sunday

Demonday

Horses & Headless Men
sad ones,...
Drive-In Creature Feature

Scarecrow Row

Black Caturday
girly ones,...
8 Legs, 1,000 Eggs

Ghosts-A-Go-Go

Witchcraft Wednesday ("flight")
silly ones,...
Slimy Swamps, Foggy Bogs

Call of C'Thursday (Inktober: "Creepy")
& even a self-aggrandizing one.

Phantom Phriday ("Big")

But then, god help us, one of these nightmares came true:
Nosfera-Tuesday